Fujifilm X Series lenses fit APS-C Fujifilm X Series mirrorless cameras.Their advanced features, such as high megapixel sensors, live view capability, and excellent focusing maximize photographic opportunities offered by Fujifilm lenses. A hallmark of Fujifilm lenses is their high quality and superior optical performance. Iris diaphragm with nine rounded blades. However, you may be forced to break the bank for this added attraction, since the non-APD version of the lens cost approximately two-thirds as much. But that seems like a small price to pay for such a robust bit of gear. It has a strong reputation among photographers and film-makers, with its line of APS-C X-mount cameras and medium format GFX models. Interestingly, Sigma was once known as being a budget alternative to brands like Nikon and Canon. Indeed, the only plastic element you’ll find on this lens is the lens cap. Consequently it does not provide the same degree of tactile control as is offered by genuine mechanical focusing. Offering smooth and silent autofocus, sharp image quality, and a fast maximum aperture, Fuji’s XF 16-55mm f/2.8 is a solid all-round zoom lens that excels at video. Moreover, the ability to use slower shutter speeds under difficult light conditions allows you to use lower ISOs, which in term lead to you getting a cleaner image. Furthermore, The lens is sealed to protect against moisture and dust, ensuring its durability. Indeed, no amount of spinning your camera’s command dials will make any difference to lens aperture; your camera doesn’t know what aperture you are using, so you’ll need to set it by hand.Â, If you can live with that (and really, it’s not such a big deal), then you’ll be rewarded with a lens that delivers optically excellent performance at a very attractive price point. Not only does this let more light in, but now ultra narrow depth of field effects suddenly come within reach of APS-C users too. Hopefully, though, by working your way through my guide to the best video lenses For Fuji X-mount cameras, you now have a clear idea of exactly which features will be most important when choosing a lens or your own video work. Choosing a lens that focuses accurately will always be an important consideration, but it becomes of even greater importance when considering which lens to use for videography. Featuring a stylish design and cutting-edge APS-C sensor, this optical device is perfect for both shooting videos and stills. Even though Fujifilm made these lenses for their cheaper X-mount cameras, such as the X-A7 & X-T200 cameras, you’d still get the value for your money when used with pricier models. And how should you go about choosing the right ones for your own video work? If you’re looking for an all-in-one zoom lens for the Fujifilm X-T4, the XF 18-135mm f/3.5-5.6 is a great choice. Coming to you from The Hybrid Shooter, this great video review takes a look at the Fuji XF 16mm f/1.4 R WR lens. The Fujifilm X-T3 is a popular mirrorless camera that delivers great images. It is, however, one that is a real pleasure to work with. Fujifilm X-H1. The lens features a snappy and near-silent ultrasonic focus motor. The main compromises usually being in terms of image sharpness, maximum aperture, and price.Â. Instead they employ a system known as “focus by wire.”Â, True manual focus means that by turning the focus ring, you directly apply pressure to the lens’s mechanical parts, which move in accordance with your own movements. This makes it a sturdy and dependable little tool to have in your bag for all your daily videography needs. Whether you’re searching for zooms, primes, cine, wide-angles, or telephoto lenses, we have you covered. It maintains a constant f/2.8 aperture in its entire zoom range and is absurdly sharp at each focal length. This is why the Fujifilm XF 8-16mm f/2.8 R LM WR is mainly used for many types of photography, especially on architectural subjects. To summarize, then, the Rokinon/Samyang 12mm f/2 produces excellent imagery, comes with a fast maximum aperture, offers true manual focus control, and doesn’t cost the earth. Assuming you can actually find one that fits your camera. Fuji cameras – lightweight, rolling-shutter prone bodies – can create some gorgeous video footage, but stabilization can be an absolute nightmare. Providing the equivalent coverage of a 24mm lens on full frame, the 16mm f/1.4 is ideal for either wide vista shots or when shooting in tight interior spaces. This waterproof XF model makes it an ideal companion for street photography, reportage, landscapes, etc. Impressive, to say the least! Finally, while you’ll struggle to achieve a sufficiently shallow depth of field to ever really notice the bokeh produced by this lens, rest assured that – on the rare occasions that it does occur – out of focus rendering is perfectly attractive. For instance, one of the best telephoto lenses for Fuji currently available is the Fujifilm Fujinon XF 18-135mm f/3.5-5.6 R LM OIS WR. More important is focus accuracy, and the ability of AF motors to consistently track action (fast or otherwise) without hunting. Fuji X-T1 – Released in 2014 this camera had very high praise. It’s also important to remember that when a lens is a little soft, the problem tends to be most noticeable at the edges rather than in the center of the image. Beyond autofocus performance, though, is also the matter of AF motor noise. To minimize the rate of distortion and chromatic aberrations, the manufacturers included three ED (extra-low dispersion) and two aspherical elements. At the very least you will want to invest in a camera-mounting shotgun mic. The Rokinon/Samyang 12mm f/2 is available for the Fuji X-mount system and is particular well suited to being used as a videography lens.Â, But let’s start by getting the most divisive feature of this lens out of the way first; it is manual focus only.Â. The front elements do not rotate, allowing for the seamless use of filters such as graduates and polarizers. Smooth bokeh, on the other hand, tends to mean that the background will largely go unnoticed. The motor autofocus is efficiently fast, making the lens excellent for various shots from landscape, to architectural, sports, and even wildlife photography. Best Macro Lenses for Fujifilm X-T4 Fujifilm XF 80mm f/2.8 R LM OIS WR Macro ($1,199) Ideal lens for close-up shooting. The Fujifilm Fujinon XF56mm F1.2 R is ideal for portraits, wedding, and studio photographs, thanks to its 85mm full-frame equivalent focal length. At the same time the 16 to 50 mm lens is bit more sharp at the tele-end, that is at 50 mm. The Fujifilm Fujinon XC35mm F2 is a budget prime which performs better than most lenses at twice its price. direct to the camera – rather than externally. Offering a focal length equivalent to 27-53mm on full frame, Sigma’s 18-35mm f/1.8 Art lens is clearly not the most versatile zoom in existence. A 150mm filter adapter may be required for the XF 8-16mm lens to use filters. In fact, it is a cut-price version of the same, without the metal barrel and mounting plates. And realistically, videographers who truly know their craft will rarely need anything more than a standard lens and a moderate wide angle; and for that the 18-35mm f/1.8 more than has you covered. Here’s the bad: although the Sigma 18-35mm Art lens is available for several camera systems, sadly Fuji isn’t currently one of them. Check Price on Amazon Directly Add to Cart on Amazon. And what about that constant maximum aperture of f/1.8? Especially if you plan on shooting handheld.Â. Featuring enviable optics, a beautifully fast maximum aperture, and solid AF performance, this is a lens that is well suited to a wide range of filmmaking scenarios. In short, no modern lens truly delivers appallingly in terms of image sharpness. Hope you find them helpful, don’t hesitate to leave a comment! It would also perform well when filming action sports, where the wide angle combined with an up close point of view would result in some pretty dynamic and exciting footage. The build quality for the XF16mm f/1.2 is generally excellent. Although the 23mm f/2 is not stabilized, it is well weighted for use with Fuji X-mount cameras. There is a feast of glassware which incorporates 3 aspherical elements and 3 ED (Extra-low Dispersion) elements. If this is the way you like to work – slowly and deliberately – you will not be disappointed by this lens. busy or in some other way unattractive – it might risk becoming a genuine distraction from the main action.Â. And an aperture of f/2 on a lens of this focal length makes for some very nicely blurred backgrounds. This is one lens that I always bring with me when traveling. The product has in-built image stabilization, allowing for the use of slow shutter speeds, even under low-light conditions. For a start, image quality is superb; at 18mm you can expect to see exceptional center sharpness with only a negligible drop-off in resolution towards the edges; at 35mm the picture is only marginally different, with central sharpness still excellent and corner sharpness just a tad less impressive. Such a theory is certainly supported by this lens. Why is that important to you as a videographer? The company has been steadily expanding its X-system lens catalog for almost a decade now, making the process of picking the best Fuji lens a daunting one. And although this provides some of the feel and control of manual focus, it is essentially an electronic simulation of manual focusing. Let’s break down all these confusing numbers and abbreviations: The Fujifilm Fujinon XF16mm F1.4 R WR might carry a premium price, but this is backed by its matching performance. Fujifilm shooters have been waiting a long time for some affordable third party lens alternatives. Furthermore, a Nano Coating System (NCS) has been applied to all lens elements to reduce and prevent flares and ghosting. Now that we have gone over the best prime lenses, let’s check out Fuji’s top zoom lenses. A lens that renders out of focus areas in a soft and smooth manner will usually be more highly prized than one that makes backgrounds look busy and distracting.Â. The Fujinon XC35mm F2 is as basic as it gets. Best Fuji X Zoom Lenses. Which is a bit of a shame because the fast maximum aperture and nine rounded aperture blades can make for some quite lovely bokeh. Fujifilm X-T3 is one of the best cameras on the market and features a 26MP sensor, 4K video at 60p, 11 frames per second. Those looking for easy “run and gun” optics for shooting vacation videos or vlogs can skip on down to the next lens on our list; the Rokinon/Samyang 12mm f/2 just isn’t for you.Â. The Fujifilm X-S10 is shaping up to be one of the best small, mid-range mirrorless cameras you can buy. This makes the XF56mm F1.2 R one of the best Fuji lenses for subject isolation and maintaining a natural shooting distance while blurring the background to your liking, with a tight depth of field. The 24mm equivalent field of view is an eternal favourite with landscape and architectural photographers, capturing wider and more dynamic compositions than a 28mm, but without the distortion of an ultra-wide. Focal Length: 550-200mm (80 … The core lenses Fujifilm currently have for the X-Mount are in dire need of an update. Put like this, it’s clear that you will probably want to seek out a lens with a nice fast maximum aperture. It has been on our recommendations list for long, thanks to its excellent optical quality and all-weather design. This is yet another excellent performer that delivers solid results for its price. But it’s particularly handy in a lens for video. An … An impression that’s further reinforced by the nicely grippy rubber-coated barrel. The spherical and chromatic aberrations are controlled by these elements, making them quite useful in these lenses.

best fuji x lens for video

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